Deaf Metal
Let’s talk about your ears.
No seriously, they’re just about the most important part of being a metalhead. They’re also probably the most abused part of every metalhead (except for you hardcore kids, you guys really need to watch out for your teeth in those pits). So why don’t more people take care of them?
When I was a college student, I was really excited to see a mini powernoize festival at a wee venue over in club-kid territory. A few local acts opened, Karlheinz had a brief set, and then William Bennett showed up to headline — the show was supposed to be Whitehouse, but somewhere along the line, Bennett decided that he didn’t need backup and just strolled on stage, lit a cigarette while the bar staff begged him to put it out, kicked an amplifier into life, booted an effects pedal across the stage, and just…screeeamed. For twenty minutes, at which point his cigarette went out and he stalked off stage, through the crowd, and out the front door.
Where was I? Right. Next. To the big amplifiers. Thanks to the crush of people in the itty-bitty bar, my left ear was practically pressed up against it. I was pleased as hell when I secured that spot, but the days post-show were a haze of tinnitus and screaming “WHAT?!” into my phone over and over again. It wasn’t until I went in for a checkup a few months later that I learned that Mr. Bennett had done permanent damage to my hearing. My doc told me to get some earplugs and wear them to loud shows (is there any other kind?) or it’ll only get worse.
The venues around here all sell cone-shaped safety orange foam earplugs that cost $1 and go flying out of your ear canal if you attempt to headbang. It’s better than nothing, if you’re really into standing stock-still and continually twisting bits of neon marshmallow into your ear, but they have an awkward muffling effect on sound — it’s like listening to a concert from beneath a heavy blanket.
Worse yet are the putty earplugs — you basically get a dollop of Silly Putty-esque material on a cardboard sheet, warm them up by rubbing them between your hands, and then roll them into a shape approximating that of your ear and jam them in there. Everything gets muffled, and if you’re not careful, they’ll seal over your ears, giving you that weird in-ear popping effect each time you swallow. The worst part? They always leave little particles of putty in my ears after I’ve pulled them out. Gross.
I’ve used Hearos Hi-Fi earplugs; they’re affordable, re-usable, usually sold in drug stores so I can replace lost ones easily, and they conform to the ear without being so squishy that you have to continually mash them back in. I can headbang relatively well in these, but I lost my last pair by windmilling — they went soaring out of my ears with the side-to-side movement. You can still hear everything with them in, none of that fuzzy, muffled sound here, but I think they could be a touch better on the hearing protection front; they lose some functionality in small venues, where you will inevitably be shoved up against an amp like I was.
EarLoves are getting a lot of buzz lately, and with good reason — they are a one-size-fits-all take on custom-molded musician’s earplugs that normally cost upwards of $150 a pop. These are affordable and work by reducing overall noise levels, so you can hear the music and your friends’ voices, and even buy a drink without screaming your order at the bartender. Um, and best of all? They come in a bunch of cute colors. I’m ordering myself a pair of purple ones, awww!
The general shape seen here is what I’d recommend for anybody attending a show, big or small, but last word? If you’re going to make a career out of it, consider investing in custom-molded musician’s earplugs.
Try a few different types until you find the one that’s most comfortable for you — you’re not going to wear them if they aren’t comfy — and for your own sake, remember to wear them!!




